CS-3e

Three directional capsules are arranged in a front-back array to combine line microphone performance and second-order pressure gradient response in a single system. With this unique design, the CS-3e achieves phenomenal supercardioid directivity in the lowest frequen-cies and throughout the full range in a microphone 27cm (10 inches) in length. It is significant that the CS-3e picks up the targeted frontal sound sources with exceptional clarity over a wide frequency range – even in noisy ambient environments or in long reverberation spaces – by rejecting undesired noise and sounds coming from the rear and sides. CS-3e shown with optional KS-3 shock mount CS-3e with KS-3 Mount Innovative Technology with 3 Capsules for High Rejection Conventional shotgun microphones use a line capsule array and a pipe with slits in front of the capsule to create high directivity by utilizing phase interference inside the casing. With this conventional design, high-directivity in the middle-low fre-quency range is not achieved, although high-directivity in the high frequency range is maintained. Conventional shotgun microphones are at a disadvantage because they invariably pick up unwanted sounds coming from the back and sides. In order to solve this problem, conventional shotgun micro-phones designed for high directivity in the middle-low frequencies require a length of more than one meter (39 inches) in length. However, long shotgun microphones seriously affect mobility and are not ideal for field recording. The remarkable performance of the CS-3e is based on the combination of a second-gradient and line microphone with three directional condenser elements, using new PPS (Poly-Gold-Phenylene-Sulfide) diaphragms to provide optimum humidity/temperature stability. The CS-3e is small and lightweight with a low-cut switch to satisfy the various needs of location and studio recording. The standard 19mm diameter permits use of a wide range of accessories developed for enhanced performance and field mobility. The CS-3e virtually eliminates the proximity effect and maintains sharp directivity, while the sonic characteristics do not change with varied distances between sources and microphone. This is a significant advantage over all other directional microphones. Unique three-capsule design Super Sharp Directivity Extremely low proximity effect Long reach Only 10.6″ in length Low-cut switch (-3dB @ 100Hz) Clear and natural sound Standard XLR3 connector